The concept behind our land art project was inspired by the energy of the Surin River. It is an amazing body of water that never freezes, even during the harshest winters—the current never stops here, and the water retains its fluidity and inner strength, serving as a metaphor for the continuous cycle of life.
The art installation itself is a floating flowerbed built around a hand-carved stump. Rising above this wooden bowl is a huge flower, woven from jute threads over a metal frame, with painted, handmade birch bark flowers placed at its center. A solar-powered light is mounted in the center of the structure, which glows softly in the dark, powered by daylight.
Flowers are traditionally seen as a symbol of the life cycle—birth, blooming, and withering. But we don’t plant live flowers; we don’t interfere with nature’s natural course, and we don’t demand new resources from it. Instead, we create flowers from natural materials that have already served their purpose and been found: a tree stump becomes a calyx, birch bark becomes petals, and jute becomes a delicate envelope. Thus is born the image of eternal blooming, which knows no seasons and never fades, remaining a respectful dialogue with nature.
We will place floating flower beds at picturesque spots along the river’s walking route so that everyone passing by can encounter this glowing flower. At the heart of the project is a respectful dialogue between the natural and the handmade. Handcrafted flowers become a gesture that demands nothing from nature but inspiration: nature provides form and material, while humans add meaning and technique.